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Fashion Magazine - Tropical Night - July 1, 1926 - Vintage Magazine Cover by Eduardo Garcia Benito c.1926 - Master Art Print (Unframed) 9in x 12in

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About the item

  • We use a Premium Eco-Friendly Paper - Forest Stewardship Council (FSC) certified by the Rainforest Alliance - Certified sourcing by Sustainable Forestry Initiative (SFI) - Made with Total Chlorine Free (TCF) and Elemental Chlorine Free (ECF) virgin fiber content - 10% post-consumer - Process Chlorine Free (PCF) and lignin-free fiber - Manufactured under alkaline (-free) conditions for increased longevity.
  • Bright White Super Smooth Finish Coated Paper.
  • Heavyweight Paper Stock - 9 mils thick (216 gsm).
  • Overall Print Size: 9in X 12in.
  • Image also available as Fine Art Prints on Heavyweight Matte Paper | Premium Bamboo Fiber Paper | Satin Canvas | Premium Washi Rice Paper | and Natural Fabrics (Silk - Canvas - and Hemp).
Enjoy a taste of Aloha with these beautiful Master Art Prints by Pacifica Island Art - printed in Maui, Hawaii. This print will look wonderful framed in the home, office or restaurant and is perfect for the Vintage Art Collector. - ABOUT THE ARTIST - Eduardo Garcia Benito - Eduardo Garcia Benito (1891-1981) was a master of illustration during the Art Deco period, went to Paris at the age of 19, where he established himself as a fashion artist. His style is reminiscent of the Cubist paintings of Picasso & the sculptures of Brancusi & Modigliani. The artist was born the town of Valladolid, Spain, & showed artistic talent from very early on. In 1912, he won a scholarship to study at L’École des Beaux-Arts in Paris; & by 1915, he had participated in his first group exhibition, at the Galerie du Faubourg Saint-Honoré. Over the next 5 years, he continued to exhibit his artwork, culminating in 1921 with his prestigious ascension to the title of 'Sociétaire of the Salon.' Benito made his living in Paris by painting society portraits & illustrating fashions in the Gazette du Bon Ton, a Parisian fashion journal published by Lucien Vogel. Conde Nast met Benito in 1920. Within a year, Benito was one of Vogue & Vanity Fair’s most important artists. Benito’s signature style – what Condé Nast referred to as the 'Big Head' – captures the look & spirit of art deco. Art movements of the day such as Cubism & Constructivism inspired his iconic & stylized geometric forms. His illustrations of fashionable women, reduced down to a few strokes of the pen, often feature long necks topped with heads resembling the African-figure sculptures of Italian artist Amedeo Modigliani, a friend of Benito’s in Paris. The typical Benito cover features stark backgrounds with solid planes & few colors.
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